| WHO do you think stands watching | |
| The snow-tops shining rosy | |
| In heaven, now that the darkness | |
| Takes all but the tallest posy? | |
| |
| Who then sees the two-winged | |
| Boat down there, all alone | |
| And asleep on the snow’s last shadow, | |
| Like a moth on a stone? | |
| |
| The olive-leaves, light as gad-flies, | |
| Have all gone dark, gone black. | |
| And now in the dark my soul to you | |
| Turns back. | |
| |
| To you, my little darling, | |
| To you, out of Italy. | |
| For what is loveliness, my love |
|
| Save you have it with me! | |
| |
| So, there’s an oxen wagon | |
| Comes darkly into sight: | |
| A man with a lantern, swinging | |
| A little light. | |
| |
| What does he see, my darling | |
| Here by the darkened lake? | |
| Here, in the sloping shadow | |
| The mountains make? | |
| |
| He says not a word, but passes, | |
| Staring at what he sees. | |
| What ghost of us both do you think he saw | |
| Under the olive trees? | |
| |
| All the things that are lovely— | |
| The things you never knew— | |
| I wanted to gather them one by one | |
| And bring them to you. | |
| |
| But never now, my darling | |
| Can I gather the mountain-tips | |
| From the twilight like half-shut lilies | |
| To hold to your lips. | |
| |
| And never the two-winged vessel | |
| That sleeps below on the lake | |
| Can I catch like a moth between my hands | |
| For you to take. | |
| |
| But hush, I am not regretting: | |
| It is far more perfect now. | |
| I’ll whisper the ghostly truth to the world | |
| And tell them how | |
| |
| I know you here in the darkness, | |
| How you sit in the throne of my eyes | |
| At peace, and look out of the windows | |
| In glad surprise. | |
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