| WHO do you think stands watching |  | 
| The snow-tops shining rosy |  | 
| In heaven, now that the darkness |  | 
| Takes all but the tallest posy? |  | 
|  | 
| Who then sees the two-winged |  | 
| Boat down there, all alone |  | 
| And asleep on the snow’s last shadow, |  | 
| Like a moth on a stone? |  | 
|  | 
| The olive-leaves, light as gad-flies, |  | 
| Have all gone dark, gone black. |  | 
| And now in the dark my soul to you |  | 
| Turns back. |  | 
|  | 
| To you, my little darling, |  | 
| To you, out of Italy. |  | 
| For what is loveliness, my love | 
 | 
| Save you have it with me! |  | 
|  | 
| So, there’s an oxen wagon |  | 
| Comes darkly into sight: |  | 
| A man with a lantern, swinging |  | 
| A little light. |  | 
|  | 
| What does he see, my darling |  | 
| Here by the darkened lake? |  | 
| Here, in the sloping shadow |  | 
| The mountains make? |  | 
|  | 
| He says not a word, but passes, |  | 
| Staring at what he sees. |  | 
| What ghost of us both do you think he saw |  | 
| Under the olive trees? |  | 
|  | 
| All the things that are lovely— |  | 
| The things you never knew— |  | 
| I wanted to gather them one by one |  | 
| And bring them to you. |  | 
|  | 
| But never now, my darling |  | 
| Can I gather the mountain-tips |  | 
| From the twilight like half-shut lilies |  | 
| To hold to your lips. |  | 
|  | 
| And never the two-winged vessel |  | 
| That sleeps below on the lake |  | 
| Can I catch like a moth between my hands |  | 
| For you to take. |  | 
|  | 
| But hush, I am not regretting: |  | 
| It is far more perfect now. |  | 
| I’ll whisper the ghostly truth to the world |  | 
| And tell them how |  | 
|  | 
| I know you here in the darkness, |  | 
| How you sit in the throne of my eyes |  | 
| At peace, and look out of the windows |  | 
| In glad surprise. |  | 
 
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